Charles Green Writing

Charles Green Writing

Charles Green is Professor of Contemporary Art at the University of Melbourne in the Art History department, School of Culture and Communication. He has written Peripheral Vision: Contemporary Australian Art 1970-94 (Craftsman House, Sydney, 1995), The Third Hand: Artist Collaborations from Conceptualism to Postmodernism (University of Minnesota Press, Minneapolis, 2001), and (with Anthony Gardner) Biennials, Triennials, and documenta (Boston, Wiley-Blackwell, 2016). He was Australian correspondent for Artforum for many years.

Links:
CHARLES GREEN – UNIVERSITY OF MELBOURNE
CHARLES GREEN – ACADEMIA
CHARLES GREEN – LINKEDIN

1990 From The Homefront – Robert Rooney, Works 1953-1988

Doppelgangers and the Third Force: The Artistic Collaborations of Gilbert & George and Marina Abramovic/Ulay

2004 Group Soul, Third Text

2008 Memory Effect, Third Text

2010 No More Provincialism: Art & Text

2010 Flight from the Object: Donald Brook, Inhibodress and the Emergence of Post-Studio Art in Early 1970s Sydney

2010 John Davis, Chapter JD Text – pp19-49

2010 The Provincialism Problem: Terry Smith and Centre-Periphery Art History

2013 Gardner Green Sydney Humanities Research Vol XIX. No. 2. 2013

2016 Biennials of the South on the Edges of the Global

2016 Biennales Green and Gardner – Introduction

2016 Cover of Biennials Book

2019 Notes on the Centre: Two Decades of American Painting, 1967

2020 Documenta Studies #8 Anthony Gardner & Charles Green

2022 Art+Australia, War at Home

2022 Divan the Asian Modern

2023 “The War at Home,” in Kit Messham-Muir and Uroš Čvoro (eds.), Art in Conflict: The Politics of Artists in War Zones (London: Bloomsbury, 2023). 119-135.

2023 “No Country for Old Men: Australian Art History’s Difficulty with Aboriginal Art,” Australian Historical Studies, vol. 54, no. 2, ‘Australian Art and its Aboriginal Histories’ special issue (Nov. 2023): 25 pp.

2023 “Why the Year 1962 Matters Now More than Ever Before: War, Conflict, Crisis and Postnational Art History,” in Charles Green and Ian McLean (eds.), What is Postnational Art History (Melbourne: Perimeter Press, 2023), pp. 73-88.

2024 GREEN, C., and BARKER, H. – When Modern Became Contemporary Art: The Idea of Australian Art, 1962-1988 (London: Routledge, 2024).

2024 GREEN, C., and Cubitt, S., and Smaill, B. – “Iconographies of climate catastrophe. The representation of climate change in art and film,” in Del Favero, D., S. Thurow, M. Ostwald & U. Frohne (eds.), Climate Disaster Preparedness: Reimagining Extreme Events Through Art and Technology (Singapore: Springer Press, 2024).

 

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